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Elastic scoring
Elastic scoring is a style of orchestration or music arrangement that was first used by the Australian composer Percy Grainger.
==Purpose==
This technique of orchestration is used to provide composers with the option of allowing a diverse group of voices or instrumentalists the ability to perform their music.〔(""Grainger, Percy." ) by Malcolm Gillies and David Pear, Grove Music Online 〕 An example of this is when a composer or arranger provides extra sheet music parts so a flute quartet (four flutes) can play the same piece as a group comprising two flutes, alto flute and bass flute, resulting a choir-like sound. In other words, a subtle re-engineering of the original work.
This technique involves making extra and/or interchangeable musical parts which provide substitutions for more or fewer musicians depending on what is required for an individual performance. This also allows a musical work to be played in smaller communities where the required instruments may not always be available.
One of the main tenets of elastic scoring is that the new arrangement preserve as much as possible the original interval relationship (to the closest octave) between notes while not being overly concerned with timbre (tone colour) or number of instruments. Timbre is the aspect of music varied most through changing timbre or number of instruments.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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